The latest edition of the CAJ International Magazine, has been published by the Congress of African Journalists, to bring together powerful voices from across the globe as CAJ Chairman Michael Adeboboye announced. These contributors present the world not just as a battlefield, but as a space for thought, creativity, and progress.
The March 2025 issue of CAJ (Congress of African Journalists) International Magazine highlights pressing socio-political and humanitarian issues in Africa. The main themes of this edition include: Refugee and Humanitarian Efforts in Uganda – A significant focus is placed on refugee initiatives, likely addressing the conditions of displaced populations, humanitarian responses, and integration challenges in Uganda. Political Concerns in Tanzania – The mention of concerns over Tanzania’s electoral process points to political analysis, governance issues, and democratic integrity in the region.
Migration Patterns Toward Egypt – The cover story on “South Migration Season Towards Egypt” suggests an in-depth look at migration trends, economic or climate-driven displacement, and cross-border movements affecting North and East Africa. Sudan: Northern Migration Season towards Egypt by Ashraf Aboul-Yazid examines the plight of those fleeing their homelands from Africa’s south to its north. These individuals face multiple dilemmas: they are human beings stripped of their fundamental rights to life, work, and security in their own countries; they are immigrants seeking new opportunities for themselves and their families; and they are refugees entering new lands governed by unfamiliar laws and customs. Meanwhile, host countries grapple with tightening immigration policies and escalating concerns about irregular migration, exacerbated by the rise of smuggling networks.
Egyptian artist Hisham Abdel Moety, who recently experienced a profound visual revelation during his visit to Paris, reshaped his artistic philosophy and led to his latest exhibition, Paris Metro. Through this collection, Abdel Moety translates his observations of everyday urban life into experimental artistic expressions, drawing inspiration from the city’s underground transit system.
Travel Writing Workshop with Dr. Wale Okediran! : An inspiring session on Travel Narratives has been conducted by Dr. Wale Okediran who shared his expertise on crafting compelling travel stories, writing with authenticity, and the impact of storytelling on cultural narratives. This workshop marks the beginning of an exciting literary journey, including interactive sessions, a field trip to explore new perspectives, and a dedicated writing period for participants to develop their own travel narratives. The final phase will involve a review and assessment of stories, with selected works to be published in an IAS UM6P – University Mohammed VI Polytechnic Anthology!
Islamic Arts Biennale – The Dialectic of Spirituality and Contemporary Art, written by Tarek Al-Amraoui from Tunisia, explores Saudi Arabia’s Islamic Civilization Biennale, which runs from January 25, 2024, to May 2025. This second edition is the result of collaboration between over 30 institutions across 20 countries, offering a rich tapestry of artifacts, historical treasures, and cultural heritage, both tangible and intangible.
In On Ethnic Cinema, Fatima Al-Zahra Hassan delves into the global impact of Balkan cinema, particularly after Bosnian-born Serbian director Emir Kusturica won two Palme d’Or awards at the Cannes Film Festival. She highlights the Croatian film Halima’s Path, directed by Arsen Anton Ostojić, which gained international recognition for its human rights narrative. The film was screened at the 35th Cairo International Film Festival and won the Grand Prize at the 19th Tetouan Mediterranean Film Festival, where Alma Prica received the Best Actress Award for her performance.
Finally, the world of puppet theater takes center stage in Ma Yaraouch, a production for adults directed by Mohamed Monir Al-Arki. Tunisian critic Khaled Suleiman sheds light on how Al-Arki reimagined Maeterlinck’s The Blind, transforming its abstract philosophical themes into a unique theatrical experience. The director’s dual role as dramaturg and visionary brought a fresh perspective to the adaptation, demonstrating how contemporary theater can breathe new life into classic works.
Contributors include the deep thought works of Mutayoba Arbogast (Tanzania), Dela Ahiawor (Ghana), Oseni Yusuf (Nigeria), and Robert Nestrooy Kayongo (Uganda).
The magazine appears to provide a well-rounded exploration of political stability, migration, and humanitarian challenges in Africa, making it a valuable resource for those interested in current affairs on the continent. This edition of CAJ International Magazine continues to amplify voices that challenge, inspire, and redefine global narratives
