PAWA Joins the 1000 Writers Gatherings in Moscow

The President of Pan African Writers Association, Professor Bill F. Ndi, in Moscow with More Than a Thousand Writers from around the World

On behalf of the Pan African Writers Association, (PAWA), I would like to Start by thanking Ms. Margarita Al, President of the World Organization of Writers and all the members of the World Organization of Writers Congress and the World Peoples Assembly and Madam Alexandra Ochirova, Co-Chair of the General Council of the Eurasian Peoples’ Assembly, member of the State Commission of the Russian Federation for UNESCO and UNESCO Goodwill Ambassador (Russia).

Other names come to mind such as Mr. Eldar Akhadov, worldclass writer and author of 102 books in seven languages, representing Azerbaijan and Russia and WOW Chief Coordinator. Also to be thanked is Mr. Nikita Gavrilchak who played a vital role in getting our flight tickets as well as our lodging. Finally, all the volunteers too many to name are not forgotten. This event was well organized from the time we touched down at the various Airports in Moscow and welcomed by volunteers who led us to be chauffeured to our respective hotels, the Congress, and all the wonderful and fun loving people from all over the world as well as writers from well over 63 countries that we met at the World Peoples Assembly and the World Organization of Writers Congress.

A big thank you to all, especially, the Pan African Writers Association which had delegates in all the eight Roundtables and also well representated at the congressional panel briefing “Humanitarian Modernization– An Imperative for the Development of Modern Civilization”. PAWA was powerfully represented in this Panel Session by its Secretary General, Dr. Wale Okediran and Mr. Ashraf Aboul-Yazid, VP for North Africa and Secretary General of Congress of African Journalists CAJ. They both presented respectively on: “The Pan African Writers Association As An Agent Of Humanitarian Modernization” and “Cultural Dialogue and Humanitarian Modernization: Building Bridges for a Shared Future In Our World, Where Conflicts too Often Dominate the Headlines.”

Coming to Moscow for Professor Bill F. Ndi, the President of the Pan African Writers Association, a Southern Cameroonian American, and University Professor at Tuskegee University, an institution reputed as the sacred grounds on which Pan Africanism was conceived can only be summarized and elucidated with the ideas that follow. The World’s Peoples Assembly and the World Organization of Writers (WOW) Bridge Continents and permit the celebration of writers’ Voice, in a place that in and of itself represents a Moment and Monument of Literary Power. This translates to a gesture of Peace and Dialogue, not one to be highjacked to score political points but one that allows Pushkin’s Homeland to engage in a Dialogue of Histories that represents a Symbol of Global Kinship among the more than a thousand iconic writers at this event in Moscow.

This is a moment where African storytelling in its journey from wilfull to coerced migration and colonization meets Russian literary tradition. Pushkin, the father of modern Russian literature, whose own ancestry includes African roots through his great-grandfather Abram Petrovich Gannibal, becomes a symbolic figure of global unity. Therefore, stepping into this space is/was for me, a way of reclaiming and continuing a diasporic legacy.

Also, being here in Moscow among more than 1,000 writers from 66 nations holds a significant meaning for PAWA to be part of a chorus of global narratives. It’s a chance for Pan African Writers to share stories shaped by history of subjugation, colonialism, indigenous wisdom, post-independence struggles, intended and or forced migration, global cultural interdependence, and cultural brassage as well as vibrant cultural expressions—stories that deserve a place on the world stage.

With the current Congolese minister of Social Affairs, Madame Nathalie-Aziza Munana

I did not just come to Moscow as a participant but as a flag bearer of the institution, PAWA that I preside and that at which I work, Tuskegee University, in a bit to say: “We are here. Our stories matter. Our voices are strong. We must be heard.” To be in a country that reveres literature, I am or have become an ambassador of African and African American creativity, resilience, and imagination who came in support of the idea of A New World of Conscious Unity.

With former President of Yemen 🇾🇪 , H.E. Ali Nassir mohamad

We live in a world often divided by politics and borders. However, literature remains a universal language. I see this gathering as a space for dialogue, empathy, and understanding to which Pan African writers contribute with a unique lens shaped by Africa’s historical upheaval, its multilingual and multicultural identity.

Consequently, being among 1,000 literary voices in Moscow, Russia—the land of Alexander Sergeyevich Pushkin—is to walk into a space where ancestry, artistry, and destiny converge. To me specifically and PAWA in general, this moment becomes a dialogue between Bamenda (Southern Cameroons) and St. Petersburg (Russia), between Lilongwe (Malawi) and Moscow (Russia). It’s a chance to weave African/Cameroonian oral traditions, postcolonial narratives, and multilingual poetics into the global literary fabric—right in the national territory within which Pushkin once wrote verses that shaped the same nation.

With Paulo Afonso, President of Brazilian Writers Association

In this gathering of 1,000 writers, the Pan African voice is not just one among many—it is a symbol of resilience, creativity, and historical kinship. It is a reminder to the world that literature is not bound by borders, and that the African continent has always been part of the global story—even in the making of Russia’s greatest poet and writers. So when I stepped foot into Russia, it was not just a visit—it was a return visit to an ancestral kin. It is a literary homecoming. The spirit of Gannibal and the legacy of Pushkin accounts for our poetic bloodline that stretches across continents and centuries. It’s a homecoming of sorts, where the Pan African in me comes to reclaim its heritage and place in the heart of Russian literature.

I congratulate all the medal and diploma recipients for their contribution to world literature. Being one of the recipients of both Medal and diploma myself, I caution that as writers and recipients of these recognition we cannot afford to relent our efforts at striving to have truths published for the unity of humanity. Let us all remember that as writers we are universal men and women of peace, brokering for peace by having the world discover our shared humanity in spite of the modern day plagues of fake news, alternate and fabricated facts, virtual and apparent reality with which we all have to contend.

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Homer: The Timeless Models of the Hero

Epic poetry, which began to develop in the early Geometric Period (1000 BC), reached its full maturity with Homer, who lived in the 8th century BC. Through his heroic epics, the Iliad and the Odyssey, Homer celebrates and brings together two fundamental models of heroism: Achilles, distinguished by his courage, willpower and right action, and Odysseus, distinguished by his prudence, skill in action, effectiveness and altruistic intelligence, which connects the hero with himself and with nature. Homer and Philosophy: Convergences and Analogies Through Time  Achilles’ right action, that is, action free from attachment to its fruits or outcomes, would later find expression in various philosophical traditions: in Plato, in Stoic philosophy (according to which virtue has value in and of itself), in Giordano Bruno and in Kant (acting out of duty, for the sake of duty itself). Plato considered that the philosopher’s primary task was to weave together the virtues of courage and prudence, harmonising will and wisdom. Furthermore, he believed that the fundamental task of the philosopher who becomes a statesman is to ensure the harmonious coexistence of all citizens within the fabric of social life. When a single ruler governs, it is essential that he combines the virtues of courage and prudence. When several rulers govern, courageous and prudent individuals must coexist. Homer in the Renaissance: The Harmony of Strength and Wisdom  The representatives of the Renaissance spirit sought to overcome the contradictions and conflicts of their time and to create a better world. This desire for change led them to seek inspiration in the classical world. Ancient thought was revived through philosophy, while myths and symbols re-emerged through art, particularly painting. Giordano Bruno symbolically portrayed the harmony between strength and wisdom in his work On the Composition of Images, Signs and Ideas, through the figure of a man holding a sceptre in his right hand and a book in his left, symbolising power and wisdom respectively. Paolo Veronese also depicted the symbolic union of strength and wisdom in his painting Allegory of Strength and Wisdom. The painting portrays Hercules, whose gaze is directed towards the earthly world, alongside a female figure representing wisdom, whose gaze is directed towards the celestial and spiritual world. Homer in the Contemporary World: The Timeless Relevance of His Values  Courage Leads to Prudence  A courageous person follows the golden mean. They avoid extremes, both recklessness and cowardice. They maintain their inner balance and do not allow difficulties, despair, melancholy or sorrow to dominate their thoughts and behaviour. Courage helps them overcome psychological and physical difficulties, master their impulses and preserve their inner strength. Prudence, on the other hand, enables them to distinguish right from wrong and to choose the appropriate course of action. Courage without prudence can turn into recklessness, while prudence without courage can remain inactive knowledge. The true fulfilment of the human being lies in the harmonious coexistence of courage and prudence, of strength and wisdom. This is perhaps the timeless message that we can draw from Homer and carry into the contemporary world. Thank you very much for your attention. Yannis K. Fikas President of the Academy of Farsala

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